Back in the olden days, before Gibson was overrun by beer and cement makers (Norlin), they would make just about any variation of a catalog model you wanted. For a price, of course. Odd colors, fancy or personalized inlays, different bindings…really just about anything. The result is guitars like the “greenburst” 335, or the red 59 dot neck with a varitone or Tommy Mottola’s no f-hole sunburst 355 and plenty of others. I’ve written about most, if not all of the ones I just mentioned but a reader sent me another, perhaps weirder than any of the others.
The owner says it’s a 63 and the serial number bears that out although you really can’t tell much from the guitar itself. It’s had more than its share of mods done over the years. It is, essentially, a stereo VT ES-355 with Florentine cutaways and bound f-holes. I’ve seen bound f-holes on a few custom made ES models including the black 66 335 I had. But Florentine (sharp) cutaways? Thats a new one for me. There seems to be no record of it in the Gibson shipping ledger although I have seen entries that read “spec. cutaway” before. It looks, essentially, like a thinline Barney Kessel-not my favorite design but I’m not a big archtop guy. I’d say this one is about as close to one of a kind as you’ll get. Too bad it’s been so heavily modded. What did they do?
There are few obvious changes like the 70’s harmonica bridge and the extra switch at the treble side cutaway. Possibly a kill switch or a coil tap. It looks like it came from the factory with a Bigsby like most 355’s and that was removed and a stop tail installed (a bit low). Perhaps the most unusual mod is a separate-probably mono-output jack. You don’t see that one very often. It’s got Grovers but looks to have been shipped with Kluson wafflebacks which is correct for 63. Finally, it looks like the headstock had a “smile” crack that was repaired and oversprayed. As I’m fond of saying, 50 years or more is a long time for a guitar to stay stock. It just takes one owner with “improvements” in mind to, let’s say, “take it out of collector grade”.
Still, I’m always inclined to want one just like it because it’s just so different. I love 355’s and there’s nothing like a one off to get a conversation going. Like it or hate it, it’s just too interesting to ignore. Somebody really wanted this-enough to pay some very serious dollars for sure. ES-355’s were really pricey to begin with. By 63 they were pushing $1000 with the optional case which is close to $8000 in 2015 dollars. And that’s for a stock one. I wonder what this cost? Big thanks to David P. for letting me write up his guitar.