I write frequently about how to identify the various years and models of ES guitars and, mostly, they follow a pretty predictable set of rules. Except when they don’t. Just when you think you’ve got it nailed down, something comes along and you say to yourself…”see, anything is possible at Gibson in the 60’s…” And, by and large, it is. I’ve written about a number of oddballs over the years.
Recently, I bought a 66 ES-345. It’s the third one I’ve seen with Mickey Mouse ear cutaways. Those were gone by mid 63, so the idea that they were left over bodies is remote. But there they are. I’ve seen some kind of rounded, almost MM ear 66’s and with the hand work that went on, I suppose some variation is likely but this one is dead on. OK, big deal, I wrote up the first one a couple of years ago. Everything else about that one was typical 66. The neck was 1 9/16″ at the nut and the depth was a pretty typical .80″ or so at the first fret. Not this one. First off, the nut is 1 5/8″. Not unusual on a 65 but not usual at all on a 66. Being a fairly low volume model, the neck could have been left over from 65. But then there are the other measurements. This one is .87″ at the first fret and a whopping 1.02″ at the 12th. That’s 58-59 territory. Not even the 64’s reach .87″. Custom order? Maybe but there was no “Custom” truss rod cover which is pretty consistent on custom orders. Employee guitar? I have been told by a Gibson employee from the 60’s that the employee guitars had to have “2” stamps (even if they weren’t “seconds”). Somehow, that neck is outside the “normal variation” bell curve that 60’s ES’s seem to exhibit. An outlier, if you will.
That’s one of the things that is so much fun about 60’s Gibsons (I still say “so much fun” rather than “so fun”-that still sounds wrong to me) is that there are these rule breaker guitars. When I buy a guitar sight unseen from an individual, it’s still an adventure (or a crapshoot depending on your attitude)-even after many hundreds of them. It still feels a little like Christmas morning when I open a guitar box-especially one bought from Ebay or Craigslist. Mostly, the surprises are not so good-changed harnesses, wrong bridges, changed pickups and on and on. When the widow or the family is selling the guitar, it really isn’t fair to ask them to start taking the guitar apart. You look at the two or three photos they provide and hope for the best. Sometimes you get a bad surprise, sometimes you get a good surprise. It would be nice to say that the good surprises outnumber the bad ones but they don’t. That’s simply part of being in this business. But, to be truthful, the good surprises usually outweigh the bad ones. Getting a set of double white PAFs in a 61 when you didn’t even ask if the guitar had PAFs is a good surprise. Getting a 76 harness in a 59 dot neck is not. And, really, you can’t point a finger at the widow of the original owner and say “you didn’t disclose this…” There are no returns in these cases. You simply make the best of it and hope you get it back to being correct and playable.
The point here is not so much that Gibson was full of surprises back in the day. They weren’t. Most of the guitars I get follow the timeline pretty well. But then there are some that don’t and sometimes they don’t in a wonderful way. It’s often a big gamble when you’re spending thousands of dollars on a guitar that you’ve seen perhaps 6 photos of and have no hope of recourse from the 86 year old seller. But, in this case,the Mickey Mouse ears were right there for everyone to see. So how come I was the only one interested? Well, it’s that crapshoot thing again. And besides, that’s why I’m here.