Another Holy Grail in the House
Not long ago I acquired and later sold what I considered to be a true holy grail guitar. It was a 59 mono ES-355 with a factory stop tail. At the time, it was the only one that anyone had ever seen. Gil Southworth had it for awhile and not long after he sold it, I was offered it. Although it looked pretty good, it was purported to have a shaved neck. It blacklighted well but I took Gil’s word for it but I wonder if it was simply the fact that 355 necks even in 59 can be quite slim. There are a few out there with huge necks mostly with 58 serials or FONs. I have one in my shop right now with a neck as big as any 335 I’ve ever had but that one has, as usual, a Bigsby. The 59 stop tail 355 is gone and my eyes were open for another. I had seen the above page of the 59 shipping log that showed two other 355’s with “Spec. no Bigsby” noted. Neither of these was the one I had, so I knew there were two more stop tail 59’s out there somewhere unless, in a horrific case of irony, someone later added a Bigsby (stranger things have happened). I didn’t know if they were mono or stereo from the log but it didn’t really matter since neither had surfaced. I used to think the chances of a particular special guitar coming up for sale that I had seen in the shipping log was pretty slim but after snagging three black 59 345’s last year, I’ve reconsidered. I think, eventually, most all of them come up for sale.
Well, a few weeks ago, a Craigslist ad appeared for a “58 ES-355″ and I saw it within an hour of its posting. An astute reader of this blog tipped me off to it but I was already on the phone with the owner. It turns out that serial number A29538 was a little bit south of Saskatoon, in Assiniboia, Saskatchewan and it belonged to the seller’s aunt (who was a singer and player) and she had passed away and the guitar was coming to him as an inheritance. It also turns out to be not a 58 but a mono 59 355, so I was pretty excited. There is often a problem with individual sellers and that is that they look at dealer prices and assume they are what the dealers get and the sellers initial asking price was “six figures”. Yikes. It’s pretty easy to understand, though. A 355 looks pretty much like a 335 to anyone who isn’t really tuned into the models and the asking 335 prices for a 59 are up there, although “six figures” is reserved for mint blondes. I explained to him that a stop tail 355 is super rare and that his guitar commands a considerable premium over the Bigsby version and we came to a agreement on price about as far North of a Bigsby mono 59 as Saskatchewan is from Connecticut. Yes, it’s really, really rare but the market is much smaller for 355’s. Folks who can afford it, want a 335. But a mono stop tail? Well, now that’s a fancypants 59 335 with an ebony board. And some serious cachet.
I don’t have it in my hands yet but my friend Mike in British Columbia went through it for me and gave it the thumbs up, so it’s on its way. Remember the old rule I have about falling in love with a guitar. Well, I’d better embroider a pillow with it because it’s about to get tested again. I thought it was tough to sell the black 345’s but this? Even rarer and even cooler if you ask me. Now where is A29540? And that cherry Byrdland in the next column would be pretty cool too.