GIBSON ES-335 ES-345 ES-355
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Amps & Parts

Amps are at least half of the vintage tone equation. If you have a killer guitar, you need a killer amp. I am partial to Fender tweeds, especially narrow panels. I also like most of the blackface and some early silver face Fenders. If you want something in between, I usually have a few brown face Fenders as well. Other makers like Vox, Gibson, Marshall and Ampeg show up from time to time as well. No returns on amps.

My all time favorite amp is the very user friendly 1956 26 watt 3-10 tweed 5E7 Bandmaster. All three Jensen P10R's are original (date codes are 55) with their original cones. All electronics are original  with the exception of one capacitor.

My all time favorite amp is the very user friendly 1956 26 watt 3-10 tweed 5E7 Bandmaster. All three Jensen P10R’s are original (date codes are 55) with their original cones. All electronics are original with the exception of one capacitor. CALL or EMAIL

 

Early 1960 5F6-A  Fender Bassman. All original tweed and grill. Original Jensen P10Rs (3 original cones, one possible re-cone). All date coded 42nd week of 59. All electronics are original except filter and bias caps and on-off and standby switches. Best sounding amp in the house. $12000

Early 1960 5F6-A Fender Bassman. All original tweed and grill. Original Jensen P10Rs (3 original cones, one possible re-cone). All date coded 42nd week of 59. All electronics are original except filter and bias caps and on-off and standby switches. Cleanest, shiniest most complete control panel I’ve ever seen on any tweed amp. $12000

One of the rarest of the Fender amps. And one of the best. 15" speakers for guitar are awesome. This has a factory JBL D130F.  All original except for filter caps. Theres a small hole in the grill cloth but otherwise excellent. $4800

**SOLD**One of the rarest of the Fender amps. And one of the best. 15″ speakers for guitar are awesome. This has a factory JBL D130F. All original except for filter caps. Theres a small hole in the grill cloth but otherwise excellent. $4800

Near mint early blackface Pro. Single 15" JBL. Just like a $5000 Vibroverb without the reverb. $3200

Near mint early blackface Pro. Single 15″ JBL. Just like a $5000 Vibroverb without the reverb. $3200

 

 

Very nice mostly original Brown Fender Deluxe. Pretty sure it's a 61 from the tranny date codes (and the leather handle which is a replacement). All original except the power cord (3 prong added) and the filter caps (they have the old paper covers over new ones) and the tubes. Oxford speaker appears original. Has a nice padded cover. These amps are very distinctive sounding. As you would expect they are somewhere between a tweed and a Blackface. The tremolo is swampy and lush.  Gets pretty loud before breakup but is useful in smaller venues when you need dirt but you need clean too.

Very nice mostly original Brown Fender Deluxe. Pretty sure it’s a 61 from the tranny date codes (and the leather handle which is a replacement). All original except the power cord (3 prong added) and the filter caps (they have the old paper covers over new ones) and the tubes. Oxford speaker appears original. Has a nice padded cover. These amps are very distinctive sounding. As you would expect they are somewhere between a tweed and a Blackface. The tremolo is swampy and lush. Gets pretty loud before breakup but is useful in smaller venues when you need dirt but you need clean too.

Want a Vibroverb but you just can't see coughing up $5000? This is the same amp without the reverb. And around half the price. This is almost completely original. A few caps have been done. Original trannies. The speaker is a later (70's?) JBL K130 which is very much like a D130F. - $2500

Want a Vibroverb but you just can’t see coughing up $5000? This is the same amp without the reverb. And around half the price. This is almost completely original. A few caps have been done. Original trannies. The speaker is a later (70’s?) JBL K130 which is very much like a D130F. – $2500

The brown Concert amp comes in a few configurations. Most have those really awful Oxford speakers that Fender put in after their contract with Jensen ran out. If you're lucky, you can find the one with the 4 Jensen P10Q's. That's this one. Oh, and it's mint. Had one cap changed and some of the tubes. Great tone. This is a museum grade amp. $3600

The brown Concert amp comes in a few configurations. Most have those really awful Oxford speakers that Fender put in after their contract with Jensen ran out. If you’re lucky, you can find the one with the 4 Jensen P10Q’s. That’s this one. Oh, and it’s mint. Had one cap changed and some of the tubes. Great tone. This is a museum grade amp. $3600

I have two original 59's. Both have original tweed, original caps and trannies. One has original speakers (re-coned), the other has 2 59's and 2 60 P10Rs, also re-coned. They are both super clean. Call me or email

I have two original 59 Bassmans. Both have original tweed, original caps and trannies. This one has its original speakers (just re-coned). The preamp tube sockets have been replaced. Other than that, no changed parts. Even the filter caps are original and its quiet. $11000

Here's the other 59. Tweed is a little less worn but not as clean. All four Jensen P10R's date from 59 but two are from another Bassman. All are re-coned recently. All original electronics. Super clean panel. Original dogbone handle. $11000

Here’s the other 59. Tweed is a little less worn but not as clean. All four Jensen P10R’s date from 59 but two are from another Bassman. All are re-coned recently. All original electronics. Super clean panel. Original dogbone handle. $10500

I'm a big fan of all of the tweed baseman amps. The 57 has two rectifiers and if you take one out it drops the headroom a bit and gets the amps to break up a little earlier. These are loud amps. And about as good as an amp gets. $4400

I’m a big fan of all of the tweed bassman amps. The 57 has two rectifiers and if you take one out it drops the headroom a bit and gets the amps to break up a little earlier. These are loud amps. And about as good as an amp gets. Four 1957 silverback P10R’s $4400

62 or 63 Vox AC30 (smooth Tolex). Mostly original-the brass vents had been replaced with plastic-now they're repro brass. Handles are probably not original. Speakers are original blue Celestions. Original iron and most of the caps. Grill cloth looks too good to be original. $4800

62 or 63 Vox AC30 (smooth Tolex). Mostly original-the brass vents had been replaced with plastic-now they’re repro brass. Handles are probably not original. Speakers are original blue Celestions. Original iron and most of the caps. Grill cloth looks too good to be original. $4500

69 Drip Edge Twin Reverb. Just serviced-new filter, bias and coupling caps. Still has its original Oxfords. Not my favorite speaker-I'd put in a couple of JBLs or Celestion Golds. Beat up but who cares.I t's cheap at $1300

69 Drip Edge Twin Reverb. Just serviced-new filter, bias and coupling caps. Still has its original Oxfords. Not my favorite speaker-I’d put in a couple of JBLs or Celestion Golds. Beat up but who cares.I t’s cheap at $1300

 

Ampeg amps were known for clean tones. Distortion was the enemy at Ampeg and it shows in the amps. This is the 12" version of the more popular (and bigger B-15 Flip Top). Probably 25 watts. $1400

Ampeg amps were known for clean tones. Distortion was the enemy at Ampeg and it shows in the amps. This is the 12″ version of the more popular (and bigger B-15 Flip Top). Probably 25 watts. $1000

Seems that everybody pays big bucks for the narrow panel tweeds which makes the wide panel tweeds a really great deal. They sound awesome and won't break the bank. $2800.

Seems that everybody pays big bucks for the narrow panel tweeds which makes the wide panel tweeds a really great deal. This 54 Deluxe sounds awesome and won’t break the bank. $2800.

Rarest of the production Fenders. This is the 6G9 Tremolux that they made for about a minute in 1961. The only Fender amp made with EL-84 tubes until the modern era. It still sounds like a Fender but at 20 watts or so, it's a very useful amp with lots of chime and brightness. Oh, and there are only a few hundred of them. $6500

Rarest of the production Fenders. This is the 6G9 Tremolux that they made for about a minute in 1961. The only Fender amp made with EL-84 tubes until the modern era. It still sounds like a Fender but at 20 watts or so, it’s a very useful amp with lots of chime and brightness. Oh, and there are only a few hundred of them. $6000

Therewere a few versions of the white Tremolux. The first is that rare EL-84 version with the 10" Tone Ring cabinet. The second is the 6L6 version with the same cabinet. Still rare but not as pricey as the EL-84 one. $2800

There were a few versions of the white Tremolux. The first is that rare EL-84 version with the 10″ Tone Ring cabinet. The second is the 6L6 version with the same cabinet. Still rare but not as pricey as the EL-84 one. This is a January 62. I changed the speaker to a vintage Altec  since the photo was taken. $2600

 

Best kept secret in vintage ampland. Traynors from the 60's and 70's are built like a tank and sound incredible. Back in the day, it was the starving musicians go to amp when a Fender Blackface was over budget. Still a bargain until everyone catches on. This puts out 20-25 watts from a pair of EL-84's running some serious voltage. Replaced volume pot but I have the original if you're nutty that way. $900

Best kept secret in vintage ampland. Traynors from the 60’s and 70’s are built like a tank and sound incredible. Back in the day, it was the starving musicians go to amp when a Fender Blackface was over budget. Still a bargain until everyone catches on. This puts out 20-25 watts from a pair of EL-84’s running some serious voltage. Replaced volume pot but I have the original if you’re nutty that way. $600

 

I am no longer listing parts individually. I have tons-nearly everything you could need for 50’s and 60’s ES models and some arch top parts as well. If you need something just email me and ask if I have it. Keep in mind that real vintage parts can be stupid money. I don’t set the market prices-the market does. There are lots of great repro parts out there, so check those out before you spend $250 on a switch tip (or $1300 on a pick guard). I almost always have 50’s and 60’s tuners, bridges and PAFs available. Some pick guards, truss covers and knobs.

If you need something, just send me an email at okguitars@gmail.com or call 203 858 0098.

 

 

 

 

 

 

30 Responses to “Amps & Parts”

  1. I just like the valuable info you supply in your articles. I’ll bookmark your blog and test again here regularly. I am fairly certain I’ll learn lots of new stuff right here! Best of luck for the next!

  2. RAB says:

    Wow, I’ll bet that Tremolux sounded great…the blonde and brown era Fenders are wonderful and under appreciated, overshadowed by the blackfaces.

  3. OK Guitars says:

    It sounded great but it didn’t sound much like a Fender. Brighter, chimier and more touch sensitive than the usual blonde. I’m sure the EL-84 tubes had everything to do with that. It’s the only Fender amp ever to use them -and not for long. It also wasn’t very loud. Perhaps 15-18 watts. That’s all you get out of a pair of EL-84s. The stock speaker was a piece of crap (Oxford) but it sounded a lot better with a vintage Jensen P10Q.

  4. rob says:

    Years ago I had a Deluxe that sort of looked like the one you sold handed down to me by my father after he bought a new Twin Reverb. I flew and drove from coast to coast several times with that amp and finally sold it in the late ’80’s. While living in San Diego in ’73, the original handle broke and a friend who was a veteran tuna boat fisherman made a special seaman’s rope work handle that was on it when I sold it. Hopefully, its still on there so if anyone sees it, tell it “Hi” and that I miss it.

  5. OK Guitars says:

    Nothing like a tweed Deluxe. I’ve had my “beater” 55 small box for years (and I don’t keep anything that long). I’m sure yours is still out there somewhere. The only thing my father ever handed down to me was a humongous Mercury Marquis that got about 6 miles to the gallon.

  6. Tim Joyce says:

    Hello

    How do I purchase some of your items? Do you have an email or phone #?

    Thanks Tim

  7. cgelber says:

    Phone 203 858 0098. Email is okguitars@gmail.com

  8. rod says:

    do you have the complete electrics for a 335 moog Gibson artist? and how much
    Regards Rod

  9. cgelber says:

    I don’t but you see them on Ebay once in a while.

  10. Dave says:

    Do you know the month when the 65 cts wire harness was
    made, and the price for it. Thanks dg

  11. cgelber says:

    I will check it and get back to you.

  12. Bob Bottomnley says:

    What is the cost of one of your Bigsby B7 Aluminum 1960-1969 Vibratos.
    Do any of them have a 3 hole hinge plate.? Wanted for a 1968 Les Paul Gold top.
    Love your site.
    Thanks.
    Bob.

  13. cgelber says:

    email sent

  14. Don Butler says:

    Hi! How much are you asking for the `63 335 Wiring harness?
    Thanks!
    Regards; Don Butler

  15. P.Smits says:

    ES-335 pickguards 1961-1964 (3 available)
    i’m interrested.
    I have a 1980 ES335TD
    what’s the price?

  16. cgelber says:

    You wouldn’t put a 61-64 guard on an 80. It most likely won’t fit and they are different than the later ones (bevel edge is different). You can get a vintage correct one for your ’80 for around $75. Why spend $300+ for one that’s wrong?

  17. frankm says:

    I know it’s small but I need the closed (on one side) hex nut for the pickguard on my 335. Any idea where I can get one? Thanks

  18. frankm says:

    I know it’s small but I need the closed (on one side) hex nut for the pickguard on my ES-335. Any idea where I can get one? Thanks

  19. frankm says:

    Sorry for duplicate comment. I didn’t think the first one got posted.

  20. cgelber says:

    Tough part to get. I don’t have any. There is a guy on Ebay with repros but he wants a lot for them and won’t sell just the nut.I’ve used the nut from a trapeze tailpiece as a substitute.

  21. Frankm says:

    Thanks.

  22. Andrew says:

    Hi. Your 61 nickel paf cover pair, is it just a pair of covers of a pair of nickel covered pafs? Secondly,if you still have them (assuming its two pafs) whats the price and will you ship to the Uk? Thanks

  23. cgelber says:

    I have a pair of sealed nickel cover PAFs. Price is $5500. I can ship to UK.

  24. Paul says:

    Hi Charlie.

    Do you still have the 355 pickguard for sale?
    Thanks
    Paul.

  25. Eddie says:

    Looking for a pair of ’63 Nickel Pat # covers for my 1963 Block Inlay 335, would you happen to have a pair? Evidently it had a PAF originally in the neck position because when I bought it someone had installed a T-Top (I can only assume that’s what happened)

    Thanks!

  26. cgelber says:

    I have no covers at all available. I have one PAF with a nickel cover (never unsoldered). email me if you’re interested. okguitars@gmail.com

  27. RAB says:

    Eddie, yes, my early 1963 335 is stock with a PAF in the neck and early patent# in the bridge…fairly common to see that on ’63 humbucker-equipped Gibsons…

  28. Bernard Parent says:

    Hi Charles,
    I’m looking for a tailpiece that would fit an ES 125 T, same type as es 330 TP I guess. How much should I spend ?
    Thanks for taking Care ,Bernard.

  29. cgelber says:

    Probably $110-$130. I don’t have one at the moment

  30. Bernard Parent says:

    Thanx for the info Charles, hope your site will last as long as me!!!!

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