…”and deep in the Grickle-grass, some people say, if you look deep enough you can still see today, where the Lomax once stood just as long as it could before somebody lifted the Lomax away.” Jackie Lomax died in September of 2013. His obit appeared in Rolling Stone and went like this:
Lomax was part of the thriving Liverpool music scene that launched the Beatles in the 1960s, playing with the Merseybeat band the Undertakers in the U.K. and the U.S., and later signing to the Beatles’ Apple Records for the release of his 1969 album, Is This What You Want? Tony Bramwell, a former publicist for Apple, said John Lennon persuaded Lomax to sign with the label, and three Beatles (and Eric Clapton) backed Lomax on his 1968 single “Sour Milk Sea,” which George Harrison wrote. ”He was a great rocker, a solid out-and-out rock and roller…”
Jackie Lomax was on the scene for a very long time and he pretty much played the same guitar for decades. This is something the great players do when they find a great guitar. Larry Carlton is another example-he’s played that late 60′s 335 forever. McCartney and his Hofner, Stevie Ray’s “Number One”, James Burton and his 53 Telecaster and lots of others. Like they say–”the great ones get played.” Jackie wasn’t a guitar god or anything, but he surely is part of the history of British rock.
I’ve been asked by the Lomax family to evaluate and possibly sell the guitar for them. So how do I quantify the value of a guitar that was played by Jackie for decades and before that was owned by British bluesman Victor Brox who bought it from Peter Green? Simple. I don’t. You do. If you don’t care who owned a guitar before you-and many, many players and collectors don’t, then it’s just a very cool, well played 59 335 blondie with some changed parts. If history and provenance are important to you and, judging by the prices some famous guitars bring, there are some of you out there as well, then perhaps the guitar is worth a bit more. I wrote in my last post that history, provenance and context are important factors in determining whether a guitar is simply a vintage piece or a piece of history. While this guitar was never an icon, like the Dylan Strat, nor was it used on any mega hit records by a guitar god like Blackie, Brownie and that red 335, it is still an interesting and well documented example of what is probably the most desirable guitar this side of a Les Paul burst. I’ve found You Tube footage of the guitar being played in 1970 and as late as 2004. Unfortunately, I can’t find ’68 footage of “Sour Milk Sea” which is a great song and a showcase for his great voice (as well as George Harrison’s writing chops and Eric Clapton’s guitar). Jackie Lomax didn’t play guitar on it but I’m he used this old 59 to perform the song many, many times during his career.